PRESS AND PUBLICATIONS

2023 Donald Martiny’s Jumbo Brushstrokes Magnify the Undeniable Personality of Paint, First Dibs

2022 Dancing at Paul Taylor, a new generation finds its footing - New York Times

2022 Personal Structures, A conversation with Lorna York and Donald Martiny

2022 Interview with Salvatore Russo, for Art International Contemporary Magazine, Rome

2022 Liza Roberts. Art of the State: North Carolina. Chapel Hill: The University of North Carolina Press. ISBN 978-1-4696-6124-7

2021 Martiny, Donald; Stecker, Raimund; Viglialoro, Luca. Donald Martiny – Point and counterpoint. Punkt und Kontrapunkt. Freiburg im Breisgau: Modo. ISBN 978-3868332940

2021 A Spellbinding Conversation with Donald Martiny. Interview with Uzomah Ugwu of Arte Realizzata

2021 Let’s Art About it. Interview with Elisabetta Roncati of ArtSail

2020 Donald Martiny Corporeal Tongues. Interview curated by Alain Chivilò (art critic and curator)

2020 Donald Martiny by Dr. Raimund Stecker (working title, forthcoming)

2020 Disclosures: Donald Martiny, or Figures without Ground, Interview by Donovan Irven, Whitehot Magazine

2020 ‘Four Voices’ unfold at Amy Simon’s new Westport gallery - Joel Lang, CT Insider

2019 Open Paintings, written by Donald Kuspit and Noah Becker.

2019 Donald Martiny Divine Material - Catalogue for the exhibition at Casa del Mantegna, Mantova, curated by Alain Chivilò

2019 Must-see gallery shows this month - Edith Newhall, The Philly Inquirer

2019 Donald Martiny talks about his paintings, Interview by Noah Becker, Whitehot Magazine

2019 The ART of mARTketing: Arte Fiera 2019, Terza Pagina

2018 Vasari21 - Advise and Select, Ann Landi

2018 Roter Faden - Schwartz | Galerie Klaus Braun

2017 Donald Martiny Proves There’s Power Behind Every Brushstroke - Isabel Wong, Hong Kong Tatler

2017 Donald Martiny, ArteA Gallery, Alessandro Deponti 

2017 Donald Martiny's Master Strokes - Ann Landi, Vasari 21

2017 Taking Complementary Routes, Married Artists Donald Martiny and Celia Johnson Meet at the Crossroads of Color and Form, Indyweek

2017 Dialectical Praxis: Celia Johnson and Donald Martiny at Fred Giampietro Gallery, DeliciousLine

2017 Pittura a Macchia, an essay by Ann Landi, Madison Gallery

2016 Celebrating 40: Highlights from the Collection, Kathryn Markel Fine Arts

2016 ArteA Gallery, ed. Bram Bogart, Pino Pinelli, Donald Martiny (in English and Italian). Milan: ArteA Gallery.

2016 The Artists of One World Trade Center, curated by Edelman Arts

2016 The Blade - Artists remember 9/11 through their work

2016 Professional Artist Magazine - Donald Martiny on His One World Trade Center Artwork, Artistic Process

2016 Woven Tale Press - Brushstrokes are human, personal and intimate

2016 Giant sculptures reveal the secret beauty of paint - Katy French for Visual News

2016 Woven Tale Press - One World Trade Center Installation

2016 Woven Tale Press Vol. IV #6

2016 Philadelphia Inquirer, Art Gallery Exhibitions, Donald Martiny

2016 Carter Ratcliff, Charles A. Shepard III, Deborah Swallow, Lawrence J. Wheeler. Donald Martiny: Monumental Gestures: Paintings form 2013–2016. Chapel Hill: Donald Martiny. ISBN 978-0692351277

2016 Huffington Post, Artwork in Progress: A Conversation with Donald Martiny, by Roxie Sarhangi

2015 North Carolina Public Radio - A Chapel Hill Artist paints his way into the World Trade Center, Jon Kalish

2015 One World Trade Center’s Lobby Gets Two Massive Brushstrokes - Artsy, Anna Furman

2015 New American Paintings - South, Editor’s Selections

2014 Philly.com: October First Friday picks: Art, by Allie Volpe

2014 ArtDaily, Complementary Colors: Pentimenti Gallery opens group exhibition

2014 VOGUE LIVING - Australia, Editor Annemarie Kiely rated Martiny among the top 10 "artists to watch."

2014 INTERACT: Deconstructing Spectatorship, East Wing Biennial, The Courtauld Institute of Art

2013 Donald Martiny: Artist Profile, written by Linda Kramer, Triangle Downtowner Magazine, Volume 9, Issue 12 Pages: 16-17

2012 Painting into Sculpture, Marlboro Gallery : Prince George Community College, Curated and written by John Anderson, Associate Professor of Art